{"id":1976,"date":"2025-11-27T06:30:00","date_gmt":"2025-11-27T07:30:00","guid":{"rendered":"http:\/\/www.theboudoirvixen.com\/?p=1976"},"modified":"2025-11-27T15:23:16","modified_gmt":"2025-11-27T15:23:16","slug":"the-story-of-miyashita-park-resistance-partnership-and-publicness","status":"publish","type":"post","link":"http:\/\/www.theboudoirvixen.com\/index.php\/2025\/11\/27\/the-story-of-miyashita-park-resistance-partnership-and-publicness\/","title":{"rendered":"The Story of Miyashita Park: Resistance, Partnership, and Publicness"},"content":{"rendered":"<figure>\n  <a href=\"https:\/\/www.archdaily.com\/1036305\/the-story-of-miyashita-park-resistance-partnership-and-publicness\/6923d134d7b69546606f6845-the-story-of-miyashita-park-resistance-partnership-and-publicness-photo\" rel=\"attachment\" title=\"featured_image\"><br \/>\n    <img decoding=\"async\" title=\"Post-2020 Miyashita Park by Takenaka Corporation + Nikken Sekkei. Image \u00a9 Dick Thomas Johnson via Wikipedia under license CC BY 2.0\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" alt=\"Post-2020 Miyashita Park by Takenaka Corporation + Nikken Sekkei. Image \u00a9 Dick Thomas Johnson via Wikipedia under license CC BY 2.0\" class=\"lazyload\" data-src=\"http:\/\/www.theboudoirvixen.com\/wp-content\/uploads\/2025\/11\/the-story-of-miyashita-park-resistance-partnership-and-publicness_27.jpg\"><br \/>\n  <\/a><br \/>\n  <small>Post-2020 Miyashita Park by Takenaka Corporation + Nikken Sekkei. Image \u00a9 Dick Thomas Johnson via Wikipedia under license CC BY 2.0<\/small><br \/>\n<\/figure>\n<\/p>\n<p><a href=\"https:\/\/www.archdaily.com\/925328\/postcard-pittsburgh-an-urban-renewal-of-an-underrated-american-city?ad_source=search&amp;ad_medium=search_result_articles\">Urban renewal<\/a> is inherently fraught\u2014financially complex, politically exposed, <a href=\"https:\/\/www.archdaily.com\/1033199\/architecture-and-agency-rethinking-authorship-through-participatory-design?ad_source=search&amp;ad_medium=search_result_articles\">stakeholder-dense<\/a>, and almost guaranteed to leave someone dissatisfied. Precisely for these reasons, many cities default to inertia rather than risk the upheaval that comes with reworking entrenched<a href=\"https:\/\/www.archdaily.com\/1029344\/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles\"> urban fabrics<\/a>, their residences, and their dynamics; once the &#8220;sleeping bear&#8221; is prodded, unexpected complications tend to multiply.<\/p>\n<\/p>\n<p><a href=\"https:\/\/www.archdaily.com\/971223\/miyashita-park-nikken-sekkei\" target=\"_blank\" rel=\"noopener\">Miyashita Park<\/a> (Miyashita K\u014den), located in Shibuya, Tokyo, crystallizes this dilemma. Its current form\u2014a layered, <a href=\"https:\/\/www.archdaily.com\/1032271\/rethinking-mixed-use-architecture-8-conceptual-projects-that-integrate-nature-culture-work-play-and-community?ad_source=search&amp;ad_medium=search_result_articles\">mixed-use complex<\/a> balancing commercial activity with a <a href=\"https:\/\/www.archdaily.com\/1034835\/make-space-for-girls-launches-strategy-for-gender-inclusive-public-spaces?ad_source=search&amp;ad_medium=search_result_articles\">publicly accessible park<\/a>\u2014emerged from years of negotiation, critique, and recalibration. The result is a distinctive example of a public-private partnership that seeks to align urban amenity, everyday leisure, and economic viability, producing a new piece of city that hosts public life while underwriting its own upkeep.<\/p>\n<p><a href=\"https:\/\/www.archdaily.com\/1036305\/the-story-of-miyashita-park-resistance-partnership-and-publicness\">Read more \u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Post-2020 Miyashita Park by Takenaka Corporation + Nikken Sekkei. Image \u00a9 Dick Thomas Johnson via [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[],"_links":{"self":[{"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/posts\/1976"}],"collection":[{"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/comments?post=1976"}],"version-history":[{"count":2,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/posts\/1976\/revisions"}],"predecessor-version":[{"id":1979,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/posts\/1976\/revisions\/1979"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/media\/1978"}],"wp:attachment":[{"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/media?parent=1976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/categories?post=1976"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.theboudoirvixen.com\/index.php\/wp-json\/wp\/v2\/tags?post=1976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}